# # # # # # # # # # # # # # # #

# # # # # # # # # # # # # # # # # # # # # # # # # # #

# # # # # # # # # # # # # # # # # # # # # # # # # # #

Dev Son of Mudde Gowda 2012 Kannada Film Review


Dev Son of Mudde Gowda 2012 Kannada Film Review
STORY:
Dev Son of Muddhe Gowda is all about father and son told in rather protracted style by director Indrajith Lankesh.
Bringing up his son Dev (Diganth) with all the affluence in life Muddhe Gowda (Ananthnag) expect his son to produce results. Dev is interested in acting and becoming a hero. He shows disinterest in his studies and has no concern to the Company his father operates. When Dev fails in theexamination and his father ask him to improve with all the support given in a fit of anger Dev decides to leave his home. His father asks him to move out of the house not taking any of his belongings in the house.
Dev is now on the streets. At this time Kavya (Charmee) comes to his help. With the Muslim get up she brings Dev to her home and provides necessary requirements. It is because of Kavya inspiration Dev gets his responsibilities. He works as a waiter in the hotel and learns the necessities for becoming a hero. At this point one of the stunts he performs in place of another actor gives him extra courage.
Dev is spotted by a director and gives him the chance to become a hero. Dev wins and with his first pay cheque of Rs.1 lakh he comes to his father Muddhe Gowda. Looking at the development of his son he falls sick. All ends in the well because of Kavya support to Dev.

Cast – Diganth, Charmi, Ananthnag, Sudha Belawadi, Raju Thalikote, Tabla Naani, Swayamvara Chandru, Sharan, Indrajith Lankesh, Nathy Kaur and others.
Cinematography – Santosh Pathaje
Music – Jassie Gift
Producer – Shilpa Ramesh Ramani
Direction – Indrajith Lankesh
Cinejwala Rating – 2.5/5 
Exclusively – www.Cinejwala.com    
ANALYSIS :
Director Indrajith Lankesh as usual has given the style, glamour and sizzlers on screen keep up the glam quotient. Where is a good story? This type of story is told many a times on Indian screen. There is not touching scenes or absorbing situations.
There is no need for any hue and cry by the Gowda community. There is absolutely nothing against to the community. It was unnecessary problem they created for this film title.
The major lapse from this film is the good dialogues the major quotient of all Diganth films. He looks so dejected in many of the scenes. There is not enough of fun expected from his character. For tickling the funny bones Tabla Nani, Swayamvara Chandru and Raju Thalikote are there.
Indrajith Laknesh the style king director of Kannada cinema has given two absorbing issues from this film that is appealing to father and son of every family.
The asking and understanding in the case of father and son is appropriate. Every father should ask for the results for giving all support for the son. Life is also a game. In that way there is nothing wrong in father seeking good prospects from his son.
Like in various films if the interest of the son is something different than what his father expects the son withdrawing away is also possible. In such a case director Indrajith Lankesh is right. When son come with his first salary and gives it to his father it is really touching to the hearts.
PERFORMANCES :
Diganth has a different kind of role in this film. He has emoted very well and quite a responsible role for him. He looks too cute. The shirt minus in Dilse….song he is sure to loot the hearts of his female fans.
Charmee is precisely according to her name. She looks very pretty in the saree costume. As a choreographer her movements are too good. Nathy Kaur is fit for shaking her physical strength. Indrajith Lankesh can think of doing major roles in future. He has a wonderful screen presence.
Ananthnag in the role of Muddhe Gowda is very impressive. The comedy of Raju Thalikote, Tabla Nani and Swayamvara Chandru is a laughing stock of this film.
TECHNICALITIES :
Jassie Gift has gifted two lovely tunes – Appuge Appu….and Dilse….songs are very good in lyrics, choreography and cinematography.
Santosh Rai Pathaje is flawless in his work. Every frame of his is a feast to the eyes. Technically the slow motion for the song Raja Raja Jalaja is top class.
Last but not the Least – Shine is OK but where is substance!

Leave a Reply